The third iteration of Doug Bolden's various thoughts and musings.

Tag: music Page 2 of 5

[Synced Lyrics for…] komsume’s “Baku*,” “Fake,” “OK!,” “Lycoris,” and “Orion”

When I started the process of translating komsume’s lyrics, I semi-expected some of the newer tracks — like “Lycoris” and “Orion” — to maybe need to be synced by me but I was a bit surprised to find out that their first single — “Baku,” which has actually three tracks — was also not synced.

And for some reason their first EP, Hankouki, didn’t seem to have the third track synced. At least not in the databases I use. Shazam users might be eating just fine. I don’t know. That’s between them and their god. They know what they did.

They were my next project because I love listening to komsume. Again I used LyricSynapse and for the first time did almost all my work in it, alone.

Some of their lyrics really confused the program.

To explain, imagine you had a pair of lines like this in English:

My heart is full of a winter
Snowstorm blowing anger and white

Except you sing it like this:

My heart is full
of a win
ter snowstorm blow
ing anger and white

It is a perfectly cromulent way of singing and kind of the way I write poetry, but it can confuse programs looking for a bit more of a gap. This means a few lines kind of have to trip over each other in my timing.

Also, the lyrics I found posted for “Shissou” were missing the final, “疾走” (aka, shissou, the name of the song). And there was a few “woah woah aaa” type bits I added in though others I left out. It’s all vibes, here.

“Baku” has a longer spoken bit — “(足音が近づいて呼吸が早くなって 都合の悪いことからは目を背け続けた 辛いのは全部自分のせい そう思えば少しは楽になる気がした)” — that I just put in parentheses (pictured) but treated as a single line rather than trying to break up the bit.

I am sharing lyrics when I have contributed significant amounts of time syncing them [and in some cases: translating]. These are mostly for a personal project and the original lyrics, timings, songs, and so forth are all property of the performer and songwriters. My personal contribution is being released CC-0 but this does not include the lyrics themselves OR their translations. I make no guarantee about the translations.

Lyrics can be found via Google Drive. They are almost always in LRC format and in a naming convention that matches my source {Bandcamp, Apple, etc}. You might need to change them to suit your naming scheme if it varies.

[Synced Lyrics for…] kurayamisaka’s Summer Film

UPDATE: I finally realized that the third/final repeat of the “soap bubble lines” only repeated the first and second portions. I have now cut that out and fixed the lyrics in the drive. Assuming I drug and dropped that into the folder correctly.

kurayamisaka dropped the MV (and single) for “Summer Film” recently and I thought the video was neat and really, really dug the song…

…as well as it’s b-side: “Hamabe Ni Chiru.”

BUT, not only was neither track properly synced there was an omission of the submitted lyrics for “Summer Film” and the search I was doing for HNC was coming back with lyrics for some entirely different song.

The omission by the way can be heard at around the 4:10 mark in the video. There’s a nursery rhyme being chanted in a way that blends a lot with the music. I used Ultimate Voice Remover to separate the lyrics out and could get it a bit clearer but couldn’t completely place it without some digging.

Turns out it is the first three lines of “Shabondama” being repeated. If they are saying the fourth line, it is completely swallowed in post production. I assume they are NOT saying the fourth line, because it is the line about the soap bubble popping when it hits the ceiling. By leaving that out, the bubble is still hitting the ceiling, but it persists. Which goes along with the shirt being worn in the video: “There is always light behind the clouds.”

Even though video depicts something like loss of someone you love, or at least some sort of separation, it continues to show bubbles rising even as the people fade.

It is likely a coincidence but the imagery of water falling while air rises makes me think of the I Ching hexagram “The Well” (48) which is all about reaching deeper into yourself to find new resources while avoiding shallow thinking. As the water sinks below the air, it becomes “Dispersing” (59) which is can be about letting go of your interior barriers and expanding yourself. Both fit themes of the video, I think.

At any rate, I have linked the lyrics above which includes the “Shabondama” lines starting in roughly the right place but initially there is a bit of a blend.

Tools used this time include the two usual suspects — LyricSynapse and Foobar2000/OpenLyrics — but with the addition of Ultimate Voice Remover which should save some time on some future versions of my big old lyrics project.

I am sharing lyrics when I have contributed significant amounts of time syncing them [and in some cases: translating]. These are mostly for a personal project and the original lyrics, timings, songs, and so forth are all property of the performer and songwriters. My personal contribution is being released CC-0 but this does not include the lyrics themselves OR their translations. I make no guarantee about the translations.

Lyrics can be found via Google Drive. They are almost always in LRC format and in a naming convention that matches my source {Bandcamp, Apple, etc}. You might need to change them to suit your naming scheme if it varies.

The final (for now) Durry video: “Dead Media” [MVP #23]

I have survived a second week of a band-spotlight and this roughly wraps up the first month of this [I skipped a couple of days and weekends] so let’s get to the Durry Week finisher, “Dead Media“:

“Dead Media” started out a bit differently. It was originally a hidden track on their physical copies of This Movie Sucks: a celebration of “owning” songs and not just streaming them.

Now, of course, it has succumbed to the pressure of Spotify and the like, but for a brief-ish moment it was a testament to its own lyrics before it became a testament to its own lyrics:

I’m an addict
I admit it
But it’s how I
make a living
Selling cheap tricks
But I got it
A few more seconds
Of your life
I’m like a vampire
For your time

It is an odd moment for the more socially aware artists to realize that they are part of the noise that they often write against. In another Durry song, “Bully,” we hear the lyrics:

Greetings people of the internet
It’s your friend from the real world
I’ve been reaching out
trying to make contact
But all I’m getting back
Are really mean comments

Only Durry is not your friend from the real world. At least, not for the majority of us. For most of us, Durry is very much so a band we found through streaming sites and Youtube. Being addicted to the “cellphone light” is how we learned the joy of listening to Durry.

From a whole other artist, you could see Grandson’s “Brainrot,” a video that might feature in the next round so I won’t deep dive too hard. We get a lyric talking about people with their new smartphones having batteries “mined by a kid in a warzone.” Only, smartphone users are Grandson’s target audience.

It is a dissonance rampant in this current era. I can rant about The Algorithm™ all I want but without it, no one will find this blog. Without it, I would never have had Durry’s “Who’s Laughing Now?” or Grandson’s “Blood/Water” recommended to me.

I imagine I am a good bit below the average phone usage of many modern people — it’s not like being on a desktop all day really makes a huge difference, mind — but that phone which represents capitalism at its spikiest and the potential death of a future is also a gateway to a potential better future.

One where we own our own dead media before the AI chatbots buy it all up to consume it and destroy it. The bastards.

Also, Spotify sucks. I use Youtube Music (technically, more like I use Youtube [obvs] and some of the stuff is a byproduct of YTM) so I’m being a hypocrite but they mostly all suck. Pandora at least tried paying people. I…think…Qobuz is ok. Nice FLACs is the only way I use it.

For real, Space Pilgrims, go and buy your shit and then curate and show it off and share it and stuff. Stop letting AI-generated playlists replace your control over your own media. You’ll be dead soon enough.

We are being trained to listen to artists who are being trained to beg us for likes just to keep making art while AI-bros who own the platforms are shilling the heat death of the artistic universe.

My Music Video Picks [MVP] is a series of posts highlighting various music and dance videos from Youtube. No particular schedule (sometimes lots, sometimes little) though it started as “daily”. It might not even all be music or dance videos. Absolutely picked by me, though. Usually I have to like both the song and the video, but we’ll see.

You can see at least the most recent songs here: [Doug’s] Music Video Picks [Youtube Playlist]. Size of that list will change as the mood strikes. Playlist might contain spoilers for unpublished posts. Just enjoy.

[Synced Lyrics for…] Sam Vazquez’s Es Lo Que Hay

I love listening to Sam Vazquez sing. She has a voice which is very much her own thing. Like a musical instrument dancing with words from the middle of the tongue. With just enough post-production to map a way through the mountains of lyrics that fit so well with her talents.

For example:

I am really happy she released a full album. It snuck up on me this past month. I like all the songs but some of the standouts for me are “Es Lo Que Hay,” “Mua Mua Mua,” “Quierre Quierre,” and “Dime Que Me Quieres” (with Big Sempa).

Only a couple of the songs on that album were synced even as of today so I spent a couple of hours syncing every song and doing some tweaks to the lyrics to better match the rhythm of what is actually sung [putting in repeated lines, better reflecting the number of times words were sung].

There are a few places with overlap I did the best I could.

As of now, these v1.0

I used LyricSynapse [had it working better than yesterday] with back-up support from Foobar2000/OpenLyrics.

Songs are untranslated Spanish but feel free to slap them into Google Translate (etc) and get them in whatever you language you prefer. No matter which language you speak, you should listen to more Sam Vazquez.

I am sharing lyrics when I have contributed significant amounts of time syncing them [and in some cases: translating]. These are mostly for a personal project and the original lyrics, timings, songs, and so forth are all property of the performer and songwriters. My personal contribution is being released CC-0 but this does not include the lyrics themselves OR their translations. I make no guarantee about the translations.

Lyrics can be found via Google Drive. They are almost always in LRC format and in a naming convention that matches my source {Bandcamp, Apple, etc}. You might need to change them to suit your naming scheme if it varies.

Durry’s “IDK I Just Work Here” [MVP #22]

The penultimate Durry song for this week is…

Frankly, it was a three-way tie between “IDK I Just Work Here,” “This Movie Sucks,” and “A Little More Dumb.” I think I like the song for “Movie” more, and the lyrics for “Dumb” more, but the combination of song + video edges out to “Work”.

It is another in their outstanding oeuvre of working class Millennial songs:

They don’t own me
They just own the only
thing that’s keeping me alive
They swear that’s not a threat
Cause I could always starve to death
I guess I’ll pledge allegiance to the paycheck

The final song is already locked and loaded and next week we return to the backlog, but in between I have an idea for something special to do.

My Music Video Picks [MVP] is a series of posts highlighting various music and dance videos from Youtube. No particular schedule (sometimes lots, sometimes little) though it started as “daily”. It might not even all be music or dance videos. Absolutely picked by me, though. Usually I have to like both the song and the video, but we’ll see.

You can see at least the most recent songs here: [Doug’s] Music Video Picks [Youtube Playlist]. Size of that list will change as the mood strikes. Playlist might contain spoilers for unpublished posts. Just enjoy.

Synced lyrics for The Darkest of the Hillside Thickets’ Spaceship Zero

I have added synced lyrics to The Darkest of the Hillside Thickets’ Spaceship Zero: Original Motion Picture Soundtrack to the shared folder.

These are mostly in the original English with a few exceptions:

  • Some have a bit of screaming/chanting and I sometimes noted it and sometimes did not.
  • “Dies Ist Unverschamtheit” has several lines in German and I did go ahead and translate those, even the ones that are pretty obvious in context.

There are a few editorials here or there. I tried to mostly use them to point out aspects of the song where it might be confusing if you are following by the lyrics.

Special shout out for this lyric from “Power Up!”:

No pension plan
Think tank is bankrupt
Sixty-eight ninety-five
Just for one Magno-Gun charge
Otto Destruct’s engaged
Dark Crab’s in A.A
Our stock is plummeting
They pulled the plug on Deep Freeze

“Otto Destruct”… so good. Much more enjoyable than syncing “KABLAM!” 75x. 😉

As of this time, consider these all v1.0. No doubt there are some glitches here or there but I did correct a LOT of the lyrics and fixed several glitches. Only maybe 3-4 of these songs were previously synced.

Tools used for this were LyricSynapse [I’ll save a review until I have used it more] and Foobar2000/OpenLyric.

After realizing that batch uploads like the 7thVega one won’t really be findable by folks, I have opted for a per-album version. Let us see how this goes.

You can get the album for yourself on the band’s Bandcamp: The Darkest of the Hillside Thickets Spaceship Zero.


I am sharing lyrics when I have contributed significant amounts of time syncing them [and in some cases: translating]. These are mostly for a personal project and the original lyrics, timings, songs, and so forth are all property of the performer and songwriters. My personal contribution is being released CC-0 but this does not include the lyrics themselves OR their translations. I make no guarantee about the translations.

Lyrics can be found via Google Drive. They are almost always in LRC format and in a naming convention that matches my source {Bandcamp, Apple, etc}. You might need to change them to suit your naming scheme if it varies.

The anti-coming of age song: “Teenagers Forever” by Durry [MVP #21]

To counter yesterdays’ [somewhat ironic] song about coming of age, let’s continue Durry week with a song about being stuck in between:

This song is in between their two albums and shows some degrees of transition between those two moments. Surburban Legend grew out of a few years of singles and shifts. By contrast, This Movie Sucks was a year of a much more concentrated effort.

And, again, in the middle, is a song about feeling like you are supposed to still be a kid when you are also expected to be an adult:

I love dungeons and dragons
In the basement with my friends
Everybody’s got commitments
It’s getting hard to plan

And everyday I’m playing dress up
Go to work and play pretend
That I grew out of it
But I can’t

We’ll be
Teenagers forever
But not forever young
Always on the cusp of growing up
But it’s never quite enough

Absolutely wonderful stuff.

By the way, don’t think I mentioned this yet, but Durry has a Bandcamp page.

My Music Video Picks [MVP] is a series of posts highlighting various music and dance videos from Youtube. No particular schedule (sometimes lots, sometimes little) though it started as “daily”. It might not even all be music or dance videos. Absolutely picked by me, though. Usually I have to like both the song and the video, but we’ll see.

You can see at least the most recent songs here: [Doug’s] Music Video Picks [Youtube Playlist]. Size of that list will change as the mood strikes. Playlist might contain spoilers for unpublished posts. Just enjoy.

7thVega Lyrics added to a new shared folder…

A couple of weeks ago, Youtube decided I really, really needed to be listening to 7thVega.1 And while I am glad it did, I can’t really remember the ‘Tube pushing multiple videos and shorts by a band to which I had not listened before.

After a few songs, though, I was really digging their neo-Tokyo-City-Pop vibe mixed with a few harder tracks and regularly laced with a bit of sexy/romantic imagery and I bought their album, Princess, and a few singles. Since I was right in the middle of kicking off my still-massive lyrics project, I figured they would make a good guinea pig. Only, for whatever reason, their lyrics were not consistently in any database I searched.

And that’s the story of how I spent four hours building from disparate sources original Japanese lyrics, syncing the lyrics (I only found three or four previously synced and not necessarily greatly so), and then translating a decent chunk of 7thVega’s music.

Not all, mind you. I am definitely missing some.

The above screenshot, taken from “Sparking” (きらきら), is there because after I got done I was thinking about sharing a blog post along the lines of “TFW you spend four hours building up a personal lyric database for 7thVega”.

Only I meant it in the vibe of the video — where she is smoking in the Ben-Affleck-meme mood — and realized that precise screenshot with “Your eyes are sparkling” and that picture might come across as…out of context.

I also realized it might be nice to share the lyrics in some way where I take no ownership of the lyrics but just have some LRC files for those who might also want them synced. WITH my translations for now.

So here is a side project: Doug Shares LRC Files He Worked On. Once I figure out how that actually works rather than just guessing what its like to share a consistently updating folder of files, I’ll maybe expand it or add it to the blog or something.

Keep in mind that “my translating” is actually about half done by the band itself and comes from subtitles on their videos blended in with a bit of Doug. Other sources largely include broad Google Translate, a couple of other sides that had some other songs [including one where I had to go into the danged developer’s console to even snag], and breaking down sentences word by word myself and then working backwards to “solve” a few sentences.

I just left the file names to match the iTunes/Apple store naming. Feel free to change them to whatever you like.

If you find this and want to upload it to a broader LRC database I simply ask that you strip out the questionable quality translation first.

I also have gone through and synced Paloma Morphy’s album, the most recent EP by 171, and a few other songs here or there. Will be syncing Sam Vasquez’s new album either today or tomorrow. I’ll add a bit at a time and share as I do.

  1. This might be a sign that someone on 7thVega’s marketing team decided to spend promotional dollars to push out to a marketing demographic that I was somehow part of…for sure. ↩︎

Durry’s “Coming of Age” [MVP #20]

Whoo, 2o+1 of these things.

If you have heard of Durry, you have probably heard of “Who’s Laughing Now?“, their most viral hit, so I am not going to share that one. Instead, I am going to share…

“Who’s Laughing Now?” was a hit in our household, no doubt. I’m almost positive it was the first Durry video I saw and it was a case of instant love. The argument about whether or not to get a face tattoo lives, as the kids say, rent free in my head…at least some days:

However, it was “Loser’s Club” [yesterday’s pick] and “Coming of Age” that were my Durry-songs-of-choice. I played them both a whole lot. I still play them both a whole lot. I have designed entire music videos about “Coming of Age” in my head.

I also like the idea of having two different songs about coming of age stories on this blog.

A lot of what I enjoyed about this one was the subversion of the traditional “coming of age” from a teen to third-life crisis. A resonance, if you will, with the feelings a lot of us were going through post-COVID-19’s initial blast when we were returning to normal and realizing that the normal didn’t have to be precisely the normal and maybe “normal” was a code-word for “abusive relationship with society”…

Back to the rat race run in place. I just spin my wheel till my my next lunch break. And hope it gets better with a five cent raise.

But I can’t stop until I get paid.

I don’t know which is worse, the commute or the hearse. I don’t think that it’s worth it anymore. Sick of living for the paycheck. Blow it on the weekend. I’m giving up and loading up the briefcase.

I should have known better than to think that this could change.

I should have seen the pattern, how disconnected I became.

Climbing that corporate ladder.

If you need somebody to take the blame: you can call me a quitter.

But I’m calling it a coming of age.

Even as a person who was happy with his job — and I would be shocked and awed if most people wouldn’t essentially agree, disdain requires something of a minority condition to sustain1 — the fun of a certain type of punk attitude is fist-in-the-air, beer in hand, and shouting “FUCK IT” to everything for a full four-minute song.

That kind of joyful rebellion is rampant in Durry and I love them for it.

  1. In the same way that if the shortcut was easy it would just be the way, true disdain requires it to be much more trouble to fix than to let it roll. ↩︎

The Second Performer of the Week’s performer is… Durry. Let’s start with “Loser’s Club” [MVP #19]

Couple of notes about the series:

  • Despite my initial plan, most likely going to skip the “performer of the week” thing for at least one week after this one just so I can get more backlog out.
  • The link I copy and pasted for the all posts up until now were slightly malformed in that they came from Youtube but somehow I copy and pasted them wrong. Depending on the browser, and Youtube’s mood, it might work or might not work. Those should all be fixed now with the corrected link that shows up with this one.

It had to happen eventually but there was going to be music added to this that is not Japanese in origin. The honor goes to Durry with their 2021 song, “Loser’s Club”:

Look, I listen to a lot of Japanese Alternative Rock and Shoegaze but it’s less that it is the Japanese (though I appreciate that, as well) and more that I like a particular type of music. This morning, unrelated to this, I was trying to think up a way to describe it and this is what I came up with:

I like alternative rock music where the voice is another type of guitar and the lyrics are the right amount of ironic. Where I can listen to the lyrics closely and really enjoy them but I can also tune them out and treat the track like a instrumental with an almost subliminal sense of introspection. My favorite music is the bit where both truths are true at the same time.

Durry I think fits this. I love a lot of Durry lyrics. I love the Durry siblings’ singing. I also just like the song as a whole, as a vibe.

They have done some creative marketing and video design but for the start I thought it was good to go back five years ago to a brother-and-sister duo on a merry-go-round in what I assume is their local park. In what must of have been the waning days of COVID lockdowns and that broad hope folks were feeling in the 2021 summer. In that light, lyrics like this just resonate, you know?

I said this time last year
that we’d be gone but we’re still here
Just waiting for our turn to go

but no one seems to notice
We’re still swimming upstream with the best of us
Another summer passes by

like water through our fingers
Crow’s feet creep a little deeper,

creasing like a piece of paper
But origami never seemed so beautiful

NOTE: the “swimming upstream” line which is a bit awkwardly given in the video (and the original version of the song) does not actually feature in the album version of the song. I think it was the only cut line but honestly I have not fully double checked.

It is a shockingly simple video to make but both of them are so damned gorgeous and seem to be having so much fun.

Fun which does not forget to inject a bit of irony…

What’s the point of living
if you never strive for more?
But I’m not keeping score

This will be a bit of spoilers for the tracks I will pick but some videos that I won’t be featuring this week that tap into the “just a couple of siblings having fun” vibe if you want more of that include:

My Music Video Picks [MVP] is a series of posts highlighting various music and dance videos from Youtube. No particular schedule (sometimes lots, sometimes little). It might not even all be music or dance videos. Absolutely picked by me, though. Usually I have to like both the song and the video, but we’ll see.

You can see the most recent songs here: [Doug’s] Music Video Picks [Youtube Playlist]. Size of that list will change as the mood strikes. Playlist might contain spoilers for unpublished posts. Just enjoy.

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