The third iteration of Doug Bolden's various thoughts and musings.

Author: Doug Bolden Page 2 of 13

The Doug behind the blog. American expat living in Belgium. Semi-retired librarian. Loves horror, cats, tea. Probably not in that order.

Durry’s “Coming of Age” [MVP #20]

Whoo, 2o+1 of these things.

If you have heard of Durry, you have probably heard of “Who’s Laughing Now?“, their most viral hit, so I am not going to share that one. Instead, I am going to share…

“Who’s Laughing Now?” was a hit in our household, no doubt. I’m almost positive it was the first Durry video I saw and it was a case of instant love. The argument about whether or not to get a face tattoo lives, as the kids say, rent free in my head…at least some days:

However, it was “Loser’s Club” [yesterday’s pick] and “Coming of Age” that were my Durry-songs-of-choice. I played them both a whole lot. I still play them both a whole lot. I have designed entire music videos about “Coming of Age” in my head.

I also like the idea of having two different songs about coming of age stories on this blog.

A lot of what I enjoyed about this one was the subversion of the traditional “coming of age” from a teen to third-life crisis. A resonance, if you will, with the feelings a lot of us were going through post-COVID-19’s initial blast when we were returning to normal and realizing that the normal didn’t have to be precisely the normal and maybe “normal” was a code-word for “abusive relationship with society”…

Back to the rat race run in place. I just spin my wheel till my my next lunch break. And hope it gets better with a five cent raise.

But I can’t stop until I get paid.

I don’t know which is worse, the commute or the hearse. I don’t think that it’s worth it anymore. Sick of living for the paycheck. Blow it on the weekend. I’m giving up and loading up the briefcase.

I should have known better than to think that this could change.

I should have seen the pattern, how disconnected I became.

Climbing that corporate ladder.

If you need somebody to take the blame: you can call me a quitter.

But I’m calling it a coming of age.

Even as a person who was happy with his job — and I would be shocked and awed if most people wouldn’t essentially agree, disdain requires something of a minority condition to sustain1 — the fun of a certain type of punk attitude is fist-in-the-air, beer in hand, and shouting “FUCK IT” to everything for a full four-minute song.

That kind of joyful rebellion is rampant in Durry and I love them for it.

  1. In the same way that if the shortcut was easy it would just be the way, true disdain requires it to be much more trouble to fix than to let it roll. ↩︎

Ik heb kniepijn

In a perhaps gentle but unpleasant reminder that I’m a 49-year-old man with the body of a bruised 59-year-old, today my right knee popped out a bit while I was simply walking, slowly, across my kitchen. Hell, at the time I might have been standing still.

Time flies into a blur when you are wincing in pain.

For those checking records, this is not the knee that had surgery. This is my emotional support leg that had to do heavy lifting for four years while I relearned walking and has suffered quite a bit for it.

Joy.


Image Credit: https://unsplash.com/photos/patch-for-the-wound-father-wearing-a-red-watch-on-his-hand-preparing-the-patch-for-the-wounded-knee-X5WMtzlJn44

The Second Performer of the Week’s performer is… Durry. Let’s start with “Loser’s Club” [MVP #19]

Couple of notes about the series:

  • Despite my initial plan, most likely going to skip the “performer of the week” thing for at least one week after this one just so I can get more backlog out.
  • The link I copy and pasted for the all posts up until now were slightly malformed in that they came from Youtube but somehow I copy and pasted them wrong. Depending on the browser, and Youtube’s mood, it might work or might not work. Those should all be fixed now with the corrected link that shows up with this one.

It had to happen eventually but there was going to be music added to this that is not Japanese in origin. The honor goes to Durry with their 2021 song, “Loser’s Club”:

Look, I listen to a lot of Japanese Alternative Rock and Shoegaze but it’s less that it is the Japanese (though I appreciate that, as well) and more that I like a particular type of music. This morning, unrelated to this, I was trying to think up a way to describe it and this is what I came up with:

I like alternative rock music where the voice is another type of guitar and the lyrics are the right amount of ironic. Where I can listen to the lyrics closely and really enjoy them but I can also tune them out and treat the track like a instrumental with an almost subliminal sense of introspection. My favorite music is the bit where both truths are true at the same time.

Durry I think fits this. I love a lot of Durry lyrics. I love the Durry siblings’ singing. I also just like the song as a whole, as a vibe.

They have done some creative marketing and video design but for the start I thought it was good to go back five years ago to a brother-and-sister duo on a merry-go-round in what I assume is their local park. In what must of have been the waning days of COVID lockdowns and that broad hope folks were feeling in the 2021 summer. In that light, lyrics like this just resonate, you know?

I said this time last year
that we’d be gone but we’re still here
Just waiting for our turn to go

but no one seems to notice
We’re still swimming upstream with the best of us
Another summer passes by

like water through our fingers
Crow’s feet creep a little deeper,

creasing like a piece of paper
But origami never seemed so beautiful

NOTE: the “swimming upstream” line which is a bit awkwardly given in the video (and the original version of the song) does not actually feature in the album version of the song. I think it was the only cut line but honestly I have not fully double checked.

It is a shockingly simple video to make but both of them are so damned gorgeous and seem to be having so much fun.

Fun which does not forget to inject a bit of irony…

What’s the point of living
if you never strive for more?
But I’m not keeping score

This will be a bit of spoilers for the tracks I will pick but some videos that I won’t be featuring this week that tap into the “just a couple of siblings having fun” vibe if you want more of that include:

My Music Video Picks [MVP] is a series of posts highlighting various music and dance videos from Youtube. No particular schedule (sometimes lots, sometimes little). It might not even all be music or dance videos. Absolutely picked by me, though. Usually I have to like both the song and the video, but we’ll see.

You can see the most recent songs here: [Doug’s] Music Video Picks [Youtube Playlist]. Size of that list will change as the mood strikes. Playlist might contain spoilers for unpublished posts. Just enjoy.

Turkey asks you please leave his toe-beans alone…

This is Turkey…

He is asking you…begging you… please do not play with his toe beans.

But then this is the temptation…

Sleepy boo…

200 Days Later…

I apparently skipped the 700 Day mark so the previous 600 Day post would be my last check in. I feel like the subsequent 200 days have involved a lot more books than the previous 100 days.

I feel well-read for 2026 at this point.

Summer heat this past month has slowed me down a fair bit but the itch to ramp back up has been brewing again.

Tonight, though, I am going to watching horror movies and then read some more of the Tales from the Gas Station series.

A perhaps bright(er) future? Brandy Senki’s “No More” [MVP #18]

It is dumb hot in Belgium today and I’m ready to sit down with an iced tea in front of a fan and watch TV with Kaz so I’ll keep this pretty quick. The final entry in the Brandy Senki week of MVP is “No More!“:

I’ve been pretty sure I was going to end with this one from the beginning but as I went through each of the other posts I realized it was increasingly fitting. We’ve seen the heartbreak of goodbye with “Last Live,” the fear of growing up with “Coming of Age Story,” and multiple takes on toxic love but “No More!” stands out as a video where the band says, well, no more.

Now, how well the “won’t look back” of the lyrics will actually stick…

…we’ll see whenever they get around to writing a second album or new EP but for now I want to choose to believe it.

For at least this moment, Brandy Senki is taking full control of their destiny and hopefully are having fun doing it.

You also get an entire Instagram Reel of photos flashing by a light speed. You can slow it down if you want to see them but sometimes its fun to just let your brain pick things out over a few watches.

Next week will be another Band Week and yes I know which one, but let’s see which one it is next Monday.

My Music Video Picks [MVP] is a series of posts highlighting various music and dance videos from Youtube (usually). No particular schedule (sometimes lots, sometimes little). It might not even all be music or dance videos. Absolutely picked by me, though. Usually I have to like both the song and the video, but we’ll see.

You can see the most recent songs here: [Doug’s] Music Video Picks [Youtube Playlist]. Size of that list will change as the mood strikes. Playlist might contain spoilers for unpublished posts. Just enjoy.

Love as a nightmare… Brandy Senki’s “27:00” [MVP #17]

It was a pretty tight toss-up between this one and “The End of the F***ing World” but ultimately the penultimate video for this week is Brandy Senki’s “27:00”:

Fun fact, this might have been the first video of theirs I put into any sort of playlist. It’s the only one in the “old” music playlist, I think, before sorting it out this year to be more like an archive with an more active “current music video playlist” on top.

Moving on, this one beat out “End of F***ing World” — which is good, too — because the “ooo ee oo oo aa ee aa aa” hook is damned infectious and because it has a bat puppet and bat puppets always win.

While both videos are snippets from dark urban tales (one retro to the early 90s/00s, the other more the diner era), both songs talk about relationships as a kind of nightmare. Not necessarily one from which you want to escape, but ones that definitely haunt you. On good days, in good ways. On others, maybe most days, maybe not so much.

In both, there is a fragility in strength in the central voice. She declares she will be strong enough to withstand a terrible relationship and perhaps strong enough to leave.

As an older man from a part of the world where terrible relationships are the norm, I vote leave.

Funnily enough, there is another song, “Nightmare-ish“, which by title and by lyrics fits right along with the vibe of these two. In fact, the lyrics more directly reference horror themes. The video, however, is absolutely chill.

One more video. Three (maybe four) strong candidates. Which one will make it to round out Brandy Senki week? Which band is next!?

TUNE IN!

My Music Video Picks [MVP] is a series of posts highlighting various music and dance videos from Youtube (usually). No particular schedule (sometimes lots, sometimes little). It might not even all be music or dance videos. Absolutely picked by me, though. Usually I have to like both the song and the video, but we’ll see.

You can see the most recent songs here: [Doug’s] Music Video Picks [Youtube Playlist]. Size of that list will change as the mood strikes. Playlist might contain spoilers for unpublished posts. Just enjoy.

Past the half way mark already? Dang! Anyhow, Brandy Senki’s “Box of Stockholm” [MVP #16]

I’m already on day 3 (of 5, no way I’ll wrap this up sooner for this band) and could almost stretch this out for every video in their catalog but will lock down just a bit. So, for today, let’s do “Box of Stockholm“:

For a couple of reasons. 1: It is perhaps the most aesthetically different of their videos. 2: It comes pretty close to telling a cohesive story. The video and the song.

You do get a bit of storytelling with “Tears Falling into Red Wine” but knowing as I do what the final pick will be, this one hits a little more roughly and shows just a bit of immaturity in the structure in which I mean as a compliment. Some songs are better when they stray.

With lyrics like… (translated)

He gives me bread
I confirm his love
Hostage negotiator
Don’t interfere now

…the mind starts to wonder if this is just a playful punk song about being held hostage and undergoing Stockholm Syndrome? Or is it about a relationship in general?

Or, with lines like…

Let me play the victim
Sincerity is an impurity
The tragic heroine in a novel
I’m sure she’s pretty
I want to die for art

…is it maybe a tongue in cheek discussion of being a tragic artist in general, starving for your art?

It’s fun, depressing, and slightly frayed. With what I think is the only shootout in a Brandy Senki video.

My Music Video Picks [MVP] is a series of posts highlighting various music and dance videos from Youtube (usually). No particular schedule (sometimes lots, sometimes little). It might not even all be music or dance videos. Absolutely picked by me, though. Usually I have to like both the song and the video, but we’ll see.

You can see the most recent songs here: [Doug’s] Music Video Picks [Youtube Playlist]. Size of that list will change as the mood strikes. Playlist might contain spoilers for unpublished posts. Just enjoy.

A phenomenon that worries me though it might not actually exist…

Have you ever been bothered by something which might not exist but also probably does? Something that is out there, perhaps intangibly, but its inchoate presence is felt like a fear more than actually touched?

An asteroid drifting through space an AU away. Undoubtedly there, but maybe just never here?

I have a similar feel to the collective responses and comments across online forums, social media, and more or less any place with open comments.

This post is directly in response to a couple of crowdfunding campaigns I backed early last year which have this year run into delays largely due to variances in the whole global shipping market (especially for smaller creators). A fair percentage of the comments are relatively positive or positively constructive, maybe asking for a refund due to the delay.

Just, there are a lot that are oddly…passionate. I’m talking about, “This is your last warning, you will SEND ME MY BOOKS!,” type stuff. Sometimes across multiple paragraphs. This is the stuff publicly posted so I can only imagine the personal emails and such are worse. Saw a couple of exchanges where people went back a bit later to apologize for some of the things they said, but then there were newer comments where these delayed shippings were deeply emotional troubling to the commenter.

I get it, I really do, but delayed shipping due to 2025/2026 is not exactly a personal attack. Few things are. If there is one thing I need you to take away from this post, it is this:

The content creator most likely does not know you and despite the constant drive to content consumers towards parasocial relationships1, virtually (even absolutely) nothing the creators do is aimed at YOU personally. Fact is, one step towards happiness is realizing how few people actually even know you exist. Start with those people.

It is also just a broad response to why I can’t quite stand getting back into any social circle on the internet as a whole for long.

This is not a new phenomenon. “Don’t read the comments!,” has been internet wisdom longer than many current internet users have been alive. Back 10-20 years ago I had multiple scripts and style overrides in place to essentially hide every comment section on every site I regularly visited.

It just also feels worse. There’s a flavor there that I cannot fully place or identify. But it bothers me.

Years ago, maybe decades ago now, there was a comment/forum section for AL.com2 where posts were strangely deranged and strangely off-topic. A collection of ego-centric diatribes in which virtually any topic was an assault on their particular self and way of life. Museum having a new exhibition? Dozens of rants about how art erodes the community while eating up valuable taxpayer dollars and also their nephew saw a painting of a fish that was aesthetically unpleasing. Which might turn into a debate about best fishing spots and how BamaKid033 is mentally broken if he likes fishing on X River. New fried chicken restaurant? THEY are destroying property values in good Christian neighborhoods. Space and Rocket Museum getting a grant to help preserve some of their exhibits? I kid you not, the end of all goodness as we know it. This last one happened a few times.

It has been some time since those were in existence so I am just taking some broad swipes but, Space Pilgrims, I need you to understand they are only gently broad. I just dialed them up a tiny bit for effect (and also dialed down for palatability).3 These were regular commenters. Racist. Deeply political (especially, on AL.com, to the right-wing side). Paranoid. Snarky. You can tell they thought they were funny when posting it. Starting from an immediate stance of aggression and personal attacks. Simultaneously painting the commenter as both the victim and also the powerhouse of the known universe. “You will listen to me! I am tired of being used!”

Maybe now that I’m largely off social media and largely in my own sphere doing IRL projects it feels worse than it is, but it feels to me like the AL.com comment section has taken over the internet.

OR, to use a different but similarly timed example, remember how Rebecca Black and her mom paid money to make a fun video where it was just a bunch of kids having a blast being in a music video? And the internet decided that because they could see it that the video was somehow forced on them and people, including somewhat reputable musical journalists, felt the stupid need to comment on it? To attack children for a video that should have been seen by a few dozen people and be a fun, core memory?

The hatred towards Rebecca Black’s “Friday” should be studied as one of the dumbest moments in internet history and a lesson we absolutely did not learn.

I really don’t think the human race has caught up to the fact that the internet is by and large voluntary. I’m not sure, at this point, if we ever will.

I saw a video this past week where a person who posts regular videos-of-the-day to talk about fun topics — in other words, using Youtube kind of like it was first and for a long time used — just was discussing an odd thing he read on Reddit and there were multiple comments where people were angry about the existence of the video. It felt like the presence of that video in their subscription feed was an affront to them.

Find any article that is slightly negative — about veganism, Doctor Who, whatever, pick a topic — and then people coming out to comment in a kind of hateful, snarky tone is not precisely unexpected. Studies have shown how people are drawn to negativity in social media and online discourse. It is just the vibe feels… well, it’s a vibe.

Paranoid. Self-obsessed. Angry. Lacking thoughtfulness. Lacking respect. Personally wronged. Gleefully antagonistic. Raging against the dying of the light (which might not ever have existed, another fake fall from Eden). Victim and aggressor. And, perhaps most annoyingly, utterly convinced that a slightly humorous, snarky tone is the exact way to make them sound sane. Why is it always posted in a faux-humorous tone? Did Vine and X break us? That short form commentary must be cute and funny? Hell if I know.

To put it in another way, it is like we have regressed as a digital society. Because we are on our phones on our own couch, maybe we think the internet has come to our living rooms rather than us going to it? A generation of people being fed by food delivery drivers complaining about the decor of restaurants. A generation waiting for the AI bubble to pop and spending hours each day creating AI art to pass the time out of fear of boredom.

“We drove to the gym…” only it’s everything, everywhere. All at once, even.

You blend this with rampant positivity on the “other side” and it is maddening. Of course both being couched in various oft-repeated phrases that have been The Algorithm™ approved. Generally without personality.

Four blue hearts in a line or death threats with nothing in between. Where “mid” and “average” are active insults.

“Ahh gurl energy got me feeling some way…,” fucking indeed.

THEN, Space Pilgrims, then we add in the bots…


  1. Something made worse by platforms driving creators to fake friendships and engagements in order to court people towards things like Patreons and Youtube Memberships. It is deeply gross. ↩︎
  2. I’m not linking it because I don’t really like their new website but it is awfulllly trivial to figure out how to get to it if you want to see it. ↩︎
  3. I had a friend who hung out on that forum who got involved in a MULTI-year MULTI-party bullying cycle where many members claimed other people were stalking them or trying to destroy their lives. It was…odd. ↩︎

Brandy Senki’s “Coming of Age” [MVP #15]

The second entry in my MVP Brandy Senki week is probably the song I think of the most if I just think of the band.

It’s called “Coming of Age Story”:

That musical shift right past the 1 minute mark is like…love poetry for the ears and brain. Thank you for writing those notes in that order.

The Nathalie Scarlette directed music video is a perfect exemplar of that not precisely uncommon trope: the imperfect memory of youth’s faux perfections. A nostalgia bait video about the kind of day that some people might have had but in general never fits into our actual experiences. A glory just out of reach. A self-lie.

This childlike need to return to an Eden from which we never fell informs so much of our literature and music that we barely noticed that a multi-billion dollar algorithmic industry grew out of the desire to profit off our false impressions of loss.

There is a stage in our life when we look back upon our youth and we judge our present on our past and it is not uncommon for us to realize we had been holding on to something not only not there but also somewhat never was.

Which is not to say they do not have some grains of truth. Stupid days with friends were magical. It is simply that the magic covers up all the flaws and downtimes and stupid fights and the rest.

The lyrics encapsulate this mood shift (note: English language taken from the Youtube video)…

This is the worst
I’m not good at coming-of-age story
Even though I’m still here in this story
I felt the agony of teenagers that’s left behind
Can’t be hasty
Can’t be hasty

The pain I was exposed to
is ignored and just turned into sound
I think it’s my last chance
I just want to see something beautiful
Please

drift into later on…

It just ends while I’m still sitting down
This day
Gradually these feelings turns to lies
Can’t understand each other anymore

Are you angry?

Before she repeats that just wants to see something beautiful.

I think a lot of us feel those moments. In some ways, social media and the way it traps us in our old pictures and old videos and old posts make it worse. We lose that bit of ourself that was right there in that “coming of age story” and see it replaced with the social-version that was never us. More “perfect” and more “planned” but absolutely never quite as beautiful.

My Music Video Picks [MVP] is a series of posts highlighting various music and dance videos from Youtube (usually). No particular schedule (sometimes lots, sometimes little). It might not even all be music or dance videos. Absolutely picked by me, though. Usually I have to like both the song and the video, but we’ll see.

You can see the most recent songs here: [Doug’s] Music Video Picks [Youtube Playlist]. Size of that list will change as the mood strikes. Playlist might contain spoilers for unpublished posts. Just enjoy.

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